Diana Rigg, Star of ‘The Avengers’ and
‘Game of Thrones,’ Dies at 82






Sep 10, 2020 6:36am PT

Diana Rigg, the Tony and Emmy winner who splashed into the world
of television with her commanding turn as intelligence agent
Emma Peel on “The Avengers” in the 1960s and played
Lady Olenna Tyrell on “Game of Thrones” decades later, died Thursday
at her home in England. She was 82.

Rigg was a venerable figure in Britain’s entertainment industry
who worked incessantly on stage, TV and film. She famously
thumbed her nose at convention in her private life and in later
years seemed to enjoy her status as a grande dame.

“She was a beautiful kind and generous human being that enhanced
the lives of all that knew her as well as a great actress. She leaves
a great void in my heart,” said Lionel Larner, Rigg’s longtime friend
and talent agent.

Having a key role in the biggest TV series of the past decade was a
fitting career capper for Rigg. On HBO’s “Game of Thrones,” Rigg
recurred as Olenna Tyrell, also known as the Queen of Thorns,
beginning with the third season in 2013. She was Emmy nominated
for guest actress in a drama for her work on the show in 2013, 2014
and 2015.

Rigg also made a number of notable appearances on the big screen.
She played a significant role in the history of the James Bond film
franchise by portraying, with great élan, Tracy Di Vicenzo, the woman
whom Bond, played by George Lazenby, marries with great joy in
1969’s “On Her Majesty’s Secret Service,” only to see her murdered
by the minions of arch villain Ernst Stavro Blofeld.

On ITV’s “The Avengers,” the British espionage series that blended
sci-fi, fantasy and surreal elements with caper stories and offbeat
humor, Rigg’s intelligent, witty and catsuit-wearing Mrs. Peel was
by far the most memorable. In the TV show — which starred
Patrick Macnee from 1961-1969 as bowler hat-bedecked John Steed —
the actress appeared in 51 episodes of the series from 1965-68,
and was twice Emmy nominated for her work, in 1967 and 1968.
In 2000, she shared a special BAFTA Award with Honor Blackman,
Joanna Lumley and Linda Thorson, who had all appeared opposite
Macnee’s Steed in “The Avengers.” A feature adaptation of the series,
starring Ralph Fiennes as Steed and Uma Thurman as Mrs. Peel,
was released in 1998. Macnee died in June 2015.

More recently Rigg also appeared in BSkyB and NBC’s
"You, Me and the Apocalypse ” in 2016 and guested on the BBC/HBO’s
“Extras” in 2006 and on “Dr. Who” in 2013. She played Mrs. Higgins
in the 2018 Broadway production of “My Fair Lady.”

In between, she won an Emmy for playing Mrs. Danvers in a TV
adaptation of “Rebecca” in 1997. She also received an Emmy nomination
in 1975 for lead actress in a special program for “In This House of Brede,”
in which she played a London businesswoman who opts to become
a nun, and in 2002 for supporting actress in a miniseries or movie
for “Victoria & Albert.”

Enid Diana Elizabeth Rigg was born in Doncaster, Yorkshire, England;
she spent her early childhood in India. She did her training as an
actress at the Royal Academy of Dramatic Art from 1955-57, and
made her professional stage debut in Brecht’s
“The Caucasian Chalk Circle” in 1957.

Rigg was a member of the Royal Shakespeare Company from 1959-64,
touring Europe and the U.S. as Cordelia in a RSC production of “King Lear”
(she revisited the play in 1983, when she was Regan to Laurence Olivier’s Lear);
she was also Viola in a 1966 RSC staging of “Twelfth Night.”

Rigg appeared on Broadway four times, starring in “Abelard and Heloise” in 1971
(her nude scene in the play and critic John Simon’s tart assessment of her
body generated publicity);
Moliere’s “The Misanthrope” in 1975; “Medea” in 1994; and playing 
Mrs. Higgins in the production of “My Fair Lady.” She earned a Tony
nomination each time, winning for “Medea.”

Reviewing “Medea,” the New York Times said, “Unlike Zoe Caldwell,
who emphasized the sexuality of the character (and won a Tony Award
in 1982 for her efforts), Ms. Rigg sees Medea as a woman of restless
intellect. An orgiastic fervor informed Ms. Caldwell’s performance; she
had a savage growl in her voice. A passionate sense of injustice propels
Ms. Rigg, whose voice never entirely loses its intrinsic musicality.”

The actress also starred with George C. Scott in the Arthur Hiller-directed,
Paddy Chayefsky-penned satire “The Hospital” (1971); the classic
Vincent Price horror film “Theatre of Blood” (1973); the 1982 Agatha Christie
adaptation “Evil Under the Sun,” in which she played the despised and
thus dispatched Arlena Marshall; and most recently 2006’s “The Painted Veil,”
in which she played the Mother Superior.

Other film credits include “A Midsummer Night’s Dream” (1968),
“The Assassination Bureau” (1969), “Julius Caesar,” starring Charlton Heston (1970),
“A Little Night Music,” with Elizabeth Taylor (1977), “The Great Muppet Caper” (1981),
“Snow White,” as the Evil Queen (1987), Bruce Beresford’s “A Good Man in Africa,”
starring Sean Connery (1994), “Parting Shots” (1998) and “Heidi.”

Rigg had her own sitcom vehicle, NBC’s “Diana,” in 1973-74 and later
hosted PBS’ “Masterpiece Mystery” from 1989-2004.

She starred as Clytemnestra in a BBC miniseries adaptation of Aeschylus’s
“Oresteia” in 1979, and she starred in an adaptation of “Hedda Gabler” for
English television in 1981. The following year she starred in a Hallmark Hall
of Fame remake of “Witness for the Prosecution,” in which she took the part
played by Marlene Dietrich in the 1957 Billy Wilder film
(others in the cast included Ralph Richardson and Deborah Kerr).

The actress starred with David MacCallum in the excellent 1989 BBC/PBS
miniseries “Mother Love”; starred with Angela Lansbury in the 1992 CBS
telepic “Mrs. ‘Arris Goes to Paris”; co-starred in the excellent “The Fortunes
and Misfortunes of Moll Flanders,” starring Alex Kingston; and starred in
the BBC/PBS series “The Mrs Bradley Mysteries”  in 1998.

Though she had considerable stage experience, Rigg had few TV credits
when she was cast in her career-making role in “The Avengers” in 1965.

The actress was a member of the National Theatre Company at the Old Vic
from 1972-75, essaying Lady Macbeth in 1972. She was Eliza Doolittle in
a 1974 production of Shaw’s “Pygmalion.” Rigg played leading roles in
premiere stagings of two Tom Stoppard plays, “Jumpers” in 1972 and
“Night and Day” in 1978. In 1982 she toured in the U.S. in the musical
“Colette,” based on the life of the French writer and co-created by
Tom Jones, but a planned Broadway staging did not materialize.
In 1987 she had a leading role in a West End production of
Sondheim’s “Follies.”

During the 1990s she turned in impressive stage work in Brecht’s
“Mother Courage,” Albee’s “Who’s Afraid of Virginia Woolf” and
Racine’s “Phedre” and “Britannicus.”

More recently she starred in Tennessee Williams’ “Suddenly, Last Summer,”
the stage adaptation of Almodovar’s “All About My Mother,” Chekhov’s
“The Cherry Orchard,” and a revival of Noel Coward’s “Hay Fever.”
In 2011 she returned to “Pygmalion,” this time in the role of Mrs. Higgins
in the West End.

During the 1960s Rigg lived for eight years with actor-director
Philip Saville, who was both older and otherwise married; she caused
some scandal in the British tabloids when she proclaimed no interest
in marrying Saville, saying she had no desire “to be respectable.”

She married Israeli painter Menachem Gueffen in 1973, but the couple
divorced three years later.

She was married to theatrical producer Archibald Stirling from 1982
until their divorce in 1990; they broke up when Stirling had an affair
with actress Joely Richardson.

Rigg is survived by a daughter she had with Stirling,
actress Rachael Stirling.